NEWS

Inspirée par le manga japonais « Furari » de Jirō Taniguchi, Kaze to Arashi est une collaboration innovante entre la chorégraphe Isabella Soupart, le compositeur David Achenberg, le YouTubeur Rambalac et la danseuse performeuse Marita Schwanke.
Une création puissante et sensible qui fusionne danse, installation sonore, piano live et art vidéo, offrant des séquences inédites en perpétuelle transformation.

Inspirée par le concept japonais du Kintsugi, qui célèbre la beauté à travers l’imperfection, la chorégraphe Isabella Soupart invite le compositeur Antoine Pierre à collaborer sur sa nouvelle production dans le cadre Festival Artonov 2024. Cette collaboration aboutit à une œuvre musicale innovante où la danseuse-performeuse française Elsa Tagawa interagit en direct avec Antoine Pierre à la batterie, fusionnant batterie acoustique, éléments électroniques et échantillons sonores. Ensemble, ils créent une expérience artistique unique combinant danse et musique live.

Isabella Soupart recherche des danseurs avec une technique contemporaine solide, une base en ballet et des compétences en théâtre/chant pour une nouvelle production qui se déroulera du 21 octobre au 15 décembre 2024.

Quand : le 7 septembre 2024 –  Veuillez envoyer votre candidature à : audition@isabellasoupart.com

Où : Rosas Studio 

Documents requis :

Dans « In Landscape », Isabella Soupart et Guy Vandromme explorent les valeurs créatives, sociales et multiculturelles de l’écologie acoustique et de la lenteur à travers le mouvement et le son. Le projet vise à repenser l’expérience d’écoute en intégrant de nouveaux formats de danse, tout en transformant la perception du temps et en considérant l’espace comme un environnement malléable. Les compositions du groupe international Wandelweiser, avec des compositeurs tels que Michael Pisaro, Craig Shepard, Jürg Frey, Antoine Beuger, Carla Inderhees, Eva-Maria Houben et Bruno Duplant, façonnent l’écriture chorégraphique et musicale du projet du projet.

SILENCE, the new creation by choreographer Isabella Soupart, delves into the heart of the book 21 Lessons on the 21st Century by Yuval Noah Harari. For this production she continues her collaboration with pianist Guy Vandromme and invites the Swedish-Swiss Silas Bieri to cure the sound design.

In this work Isabella Soupart analyzes the challenges of contemporary technology, the impact of social media, political issues and the way we show resilience in handling despair and hope.

She has created a Pop-electro ballet, in which nine dancers play with the codes of contemporary dance, in the spirit of pop-rock-punk culture. A performance in which the inclusiveness of this world is proposed as a quest and a response to 21st century globalisation.

In November 2021, STRETCH was presented as part of the 14th Biennial of Contemporary Art in Havana. The choreographer remodels her project with 20 Cuban dancers and musicians and part of her European team at the Museo Nacional de Belas Artes Cuba. The hall, the outdoor entrance platform and the patio of the museum proved to be ideal for the production, also considering the confrontation with the installations of the Cuban artist Kcho, whose theme is illegal immigration.

Slow Festival (36h)

Slow (36h) Concertgebouw Brugge
Every hour from 7a.m., composer and central guest Eva-Maria Houben, Capuchin Church overtones, choreographer Isabella Soupart, and the silence-searching music of Wandelweiser pianist Guy Vandromme immerse us in a new performance.

06 Feb.2022 | 11:00 | 12:00 | 14:00 | 15:00 | 16:00 | 17:00

Choreographer Isabella Soupart is the winner of the SACD Choreography Prize (BE) 2019, Nominated for a Total Theater Awards Edinburgh (UK) 2019, White & Case (NY) Talented Woman Artist of the Year 2019, Nominated for the Maeterlinck Critics Prize (BE) 2019, Appointed to the Rolex Mentor and Protégé Arts Initiative (NY) 2007.

The Total Theater Awards have blazed a trail of recognition for independent artists, creating innovative theatre and performance. » We celebrate artists and companies making some of the most exceptional work at the Edinburgh Fringe -artists exploring boundaries of what performance might and can be. The creative risks and explorations made here we know will influence the sector and grow audiences for years, and perhaps decades to come. » Co-Directors Jo Crowley and Becki Haines.

Choreographer Isabella Soupart and the MP4 Quartet take on three masterpieces by Steve Reich: Pendulum Music, Different Trains – 1989 Best Contemporary Composition Grammy Award – and WTC 9/11. A string quartet and a dancer will sweep you away in the powerful confrontation of dance and music amidst hypnotic images and soundscapes.

Stretch in Museums is a performance combining dance, sound and visual design where the stretching of time, sound and body is the central element. Belgian choreographer Isabella Soupart explore notions of stretching in movement from several angles within the architecture of museums. 15 dancers interacting within the space of museums. British conceptual artist Jonathan Sullam, the choreographer’s regular partner, sculpts the scenic landscape. People will enter and exit freely within a timespan of 6 hours, defining their personal time of experience.

How do we imagine tomorrow’s artistic spaces ? Belgian choreographer Isabella Soupart & visual artist Jonathan Sullam move in museum work spaces where they create a research laboratory that questions and reviews the relationship  between the individual and the work of art.

After Words concludes a trilogy relating to Gilles Deleuze’s Abécédaire, imagined as a concept and process. As a theatrical documentary bringing together pop philosophy, dance, music and video art. Isabella Soupart questions several notions : notions of limit, territory and bestiality, drawing from the Fluxus group’s conceptual art.