NEWS

Upcoming

How do we imagine tomorrow’s artistic spaces ? Belgian choreographer Isabella Soupart and British visual artist Jonathan Sullam, move in museum work spaces where they create a research laboratory that questions and reviews the relationship  between the individual and the work of art. Together, they outline the merging of collective practices with creation through installation, film, art, dance, performance and architectural expression.

En 2017, le Festival Musiq3 invite la choregraphe et artiste visuelle Isabella Soupart à investir la forme concertante et l’architecture spécifique de Flagey et, par delà, l’identité du Festival.
Design, danse/performance, vidéo et musique dialoguent et ouvrent à un imaginaire augmenté.

A film by Isabella Soupart (30’)
A woman questions a man about his relationship to life and to love.
2nd International Dancefilmfestival Brussels.

The young actress Alexandra Oppo queries her family’s past in connection with Italy’s 2Oth Century historical, political and cultural upheavals. Films, photographs and documents make up this performance’s scenographic installation, in countrast with an unreleased film on Chet Baker which her grandfather Enzo Nasso produced in the 50s.

After Words se construit sous la forme d’un documentaire théâtral qui allie pop philosophie, danse et art vidéo, accumulation quasi cubiste de points de vue, de scénarios alternatifs. Isabella Soupart interroge les notions de limite, de territoire, d’animalité en puissant notamment dans le champ de l’art conceptuel de Fluxus.

Day breaks right here, is derived from a private text written by Sam Touzani and Rolland Westreich, merging choreography and text to the score and a compilation of relational sketches about the fragility of amorous relationships.