Choreographer Isabella Soupart stages a performance for 5 dancers, exploring the tensions between group dynamics and individual autonomy. British conceptual artist Jonathan Sullam, the choreographer’s regular partner, sculpts the scenic landscape of a forest of water columns controlled by ultra-low frequencies.
Les Prix Maeterlinck de la critique scène – nouveau nom des anciens « Prix de la critique » ont nommé STRETCH dans la catégorie meilleur spectacle de danse. STRETCH AN EXPERIENCE WITH TIME IN MUSEUMS Belgian choreographer Isabella Soupart explore notions of stretching in movement from several angles within the architecture of a museum. 23.09.2019 – Théâtre National Wallonie-Bruxelles
Co-Directors Jo Crowley and Becki Haines said : ” We celebrate artists and companies making some of the most exceptional work at the Edinburgh Fringe -artists exploring boundaries of what performance might and can be. The creative risks and explorations made here we know will influence the sector and grow audiences for years, and perhaps decades to come.” August 23
Choreographer Isabella Soupart and the MP4 Quartet take on three masterpieces by Steve Reich: Pendulum Music, Different Trains – 1989 Best Contemporary Composition Grammy Award – and WTC 9/11. A string quartet and a dancer will sweep you away in the powerful confrontation of dance and music amidst hypnotic images and soundscapes . 02.07 > 18.08 – 7:20 pm
How do we imagine tomorrow’s artistic spaces ? Belgian choreographer Isabella Soupart & visual artist Jonathan Sullam move in museum work spaces where they create a research laboratory that questions and reviews the relationship between the individual and the work of art.
After Words concludes a trilogy relating to Gilles Deleuze’s Abécédaire, imagined as a concept and process. As a theatrical documentary bringing together pop philosophy, dance, music and video art. Isabella Soupart questions several notions : notions of limit, territory and bestiality, drawing from the Fluxus group’s conceptual art.